Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no more have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Origami facile
Kent du Pre has done Un Bateau En Papier Qui Flotte such work with Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, however the most extreme form only occurs in Paper Wonder with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course carefully related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Avion Den Papier Japanese Origami.
Origami fleur
Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to provide enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved exclusively by folding.
Fleur origami
In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly if foil has recently been used and one can be certain of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modeling following the folding The thought of wetting the paper seems to be Japanese in origin Paroles Chant Bateau De Papier was demonstrated by Yoshizawa at a Convention in Liverpool. Another method of damp moulding using paste in the preparation is discussed by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and we are approaching figurine rather than Origami.
Bateau en papier
Typically the associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the conclusion to Origami Box Step By Step show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of paper each folded to represent some part of the pet and then brought together. The theory may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a monster from a amount of potager of different sizes.
Comment faire un avion en papier
Inside the most extreme combos of water and document we are, naturally , in the world of papier-mache which is plainly an open-ended art. DecoratingThe easiest step from a single colour is one side coloured and one white or plain. A great package of modern Origami uses this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of
decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The slicing out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has Origami Instructions For Beginners called this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and obviously here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form we might use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. Probably the most unusual form of 'display mechanics' that I actually am acquainted with is by Toyoaki Kawai.
